The Artisan

The Artisan

Passionate CFO Steers NAC To Third Consecutive Clean Audit

The National Arts Council (NAC) has received its third consecutive clean audit, for its financial year ended 31 March 2017. This milestone in the NAC’s growth trajectory was achieved through the diligence and innovativeness of the NAC’s finance team, spearheaded by its passionate chief financial officer, Dumisani Dlamini.

ceo

A Word from the CEO

In terms of advancing arts promotion, I believe that we need to use cultural engagement as a rallying point to unlock resources and leverage partnerships as we find ways to augment government funding.

SLED: Sustaining heritage through sign language education

And while the mainstream arts scene is increasingly growing – it often fails to extend to one important, but often forgotten group – South Africa’s deaf community. Often unconsidered in policy-making, interpreters are often the only visible point of contact with the deaf. After all, who can forget the huge controversy following the fake interpreter Thamsanqa Jantjie. But there are strides being made towards greater accessibility.

Lefika la Phodiso: Art as Trauma Therapy

Lefika La Phodiso (‘The Rock of Holding’) is Africa’s first psychoanalytically informed community art counselling training centre. The centre facilitates 16 arts counselling groups in Gauteng and Limpopo, collectively reaching almost 750 beneficiaries, receiving over 800 hours of intensive art counselling.

Women take centre stage at the National Arts Council

Said NAC CEO Rosemary Mangope, “As we celebrated the central role played by South African women during the month of August, the NAC’s focus on empowering and upskilling women across all arts fields continues. Central to our mandate is the importance of facilitating strong leadership roles for women of all ages within the creative industries, where their voices continue to be under-represented.”

My Toronto Theatre Adventure

It was a warm and beautiful night – far from the reports of the cold weather I was warned against. The next morning I was to meet the director of Julius Caesar, Estelle Shook, at her apartment on the east side of the city. I was here on a creative mentorship programme supported by the NAC and part of Canadian Stage: Spotlight South Africa, to work with Estelle’s creative team on her new production.